The Nonesuch Guide to Electronic Music
The classic introduction to and survey of electronic music. Most tracks are short, deconstructed pieces of songs. All work was realized on the Moog Series III Synthesiser. A pdf file of the original vinyl release booklet can be downloaded from CCM’s website.
The track duration is taken from the cover, but later reissues have other track durations for many of the tracks.
Tracks:
| 1 |
|
I. Peace Three |
3:08 |
|
|
Signal Generators |
|
|
|
A. Signal Waveform |
|
|
| 2 |
|
Slow-Motion Audible Example |
0:05 |
|
| 4 |
|
Harmonic Synthesis |
0:33 |
|
| 5 |
|
Non-Harmonic Synthesis |
0:47 |
|
|
B. Sawtooth Waveform |
|
|
| 6 |
|
Slow-Motion (Neg and Pos-Going) |
0:12 |
|
| 7 |
|
Composition |
0:34 |
|
|
C. Rectangular Waveform |
|
|
| 8 |
|
Slow-Motion Audible Example (1,8-1,2) |
0:33 |
|
| 9 |
|
Composition (Using 1,8, 1,7, 1,3, 1,2) |
0:41 |
|
|
D. Triangular Waveform |
|
|
| 10 |
|
Slow-Motion Audible Example |
0:05 |
|
| 11 |
|
Composition |
0:20 |
| 12 |
|
White Sound Composition |
0:13 |
|
|
III. Control Generators |
|
| 13 |
|
A. Transient Generator, Amplitude, Frequency, And Timbre Modulating In Slow Motion |
0:08 |
| 14 |
|
B. Sequential Voltage Sources, Composition |
1:56 |
|
|
IV. Frequency Modulators |
|
|
|
A. Keyboard Control |
|
|
| 16 |
|
Quarter-Tone (One Real Octave = 2 Keyboard Octaves) |
0:40 |
|
| 17 |
|
Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) |
0:21 |
|
| 18 |
|
Portamento |
0:30 |
| 19 |
|
B. Ribbon Control |
|
|
C. Periodic |
|
|
| 20 |
|
Vibrato (S) (Speed Increases As Pitch Rises) |
0:28 |
|
| 21 |
|
Sine – Higher Frequency |
0:27 |
|
| 23 |
|
Rectangular 1,2 – Swept (L2) |
0:32 |
|
| 24 |
|
Triangular – Swept |
0:31 |
|
|
D. Periodics Combined |
|
|
| 25 |
|
3 Square Waves At Different Frequencies |
0:28 |
|
| 26 |
|
3 Triangular Waves At Different Frequencies |
0:37 |
|
| 27 |
|
Different Waveforms 2L 2N 2V 2S At Different Frequencies |
0:46 |
| 28 |
|
E. White Sound |
0:12 |
|
|
F. Transient |
|
|
| 29 |
|
Up An Octave, Back To Pitch |
0:17 |
|
| 30 |
|
Up A 3rd, Back To Pitch |
0:07 |
|
| 31 |
|
Down An Octave, Back To Pitch |
0:09 |
|
| 32 |
|
Down A 3rd, Back To Pitch |
0:13 |
|
|
V. Amplitude Modulation |
|
| 33 |
|
A. Keyboard |
0:13 |
| 34 |
|
B. Ribbon Controller |
0:10 |
|
|
C. Periodic |
|
|
| 36 |
|
Sine-Higher Frequencies (S Sweeping S) |
0:47 |
|
| 37 |
|
Sawtooth (Negative- And Positive-Going Swept) |
1:20 |
|
| 38 |
|
Rectangular-L2 Swept |
0:28 |
|
| 39 |
|
Triangular-Swept |
0:50 |
|
|
D. Periodics Combined |
|
|
| 42 |
|
4 Different Ⓢ, Ⓝ, 2l, Ⓥ |
0:23 |
| 43 |
|
E. White Sound |
0:38 |
|
|
F. Transient |
|
|
| 45 |
|
With Rising Pitch |
0:15 |
|
| 46 |
|
∧∧∧∧∧ |
0:14 |
|
|
VI. Ring Modulation |
|
|
|
A. Sine Waves |
|
|
| 47 |
|
Series Of Sub-Audible Constants |
2:00 |
|
| 49 |
|
Tuned In Opposite Direction |
0:30 |
| 50 |
|
B. Sawtooth |
0:33 |
| 51 |
|
C. Rectangular L2 |
0:39 |
|
|
VII. Filtering |
|
| 52 |
|
A. White Sound – With Fixed Filters Selected 3rd Octave |
|
|
B. White-Sound-Tuned Filters |
|
|
| 54 |
|
Sharp |
0:25 |
| 55 |
|
C. Low-Frequency Sawtooth-Tuning Through Harmonics |
1:05 |
| 56 |
|
D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics |
0:50 |
| 57 |
|
E. Swept With Ribbon Controller |
0:40 |
|
|
F. Periodic |
|
|
| 58 |
|
Sine-Timbre Vibrato Effect |
0:25 |
|
| 59 |
|
Sine-Variable Rate And Depth |
0:36 |
|
| 60 |
|
Sawtooth (Descending And Ascending) |
0:50 |
|
| 61 |
|
Rectangular |
0:25 |
|
|
G. Transient (Sawtooth With Transient Controlled Filter) |
|
|
| 62 |
|
—————– (Sawtooth with Transient Controlled Filter 1) |
0:12 |
|
| 63 |
|
—————– (Sawtooth With Transient Controlled Filter 2) |
0:10 |
|
| 64 |
|
—————– (Sawtooth With Transient Controlled Filter 3) |
0:09 |
|
| 65 |
|
—————– (Sawtooth With Transient Controlled Filter 4) |
0:08 |
|
|
VIII. Tape Delay |
|
| 66 |
|
A. Single Repeat |
0:13 |
| 67 |
|
B. Multiple Repeat |
2:55 |
|
|
IX. Peace Three |
|
| 68 |
|
(Recap) |
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